Adrian Heathfield writes on, curates and creates performance. He is the author of Out of Now, a monograph on the artist Tehching Hsieh, editor of Ally and Live: Art and Performance and co-editor of Perform, Repeat, Record. His numerous essays have been translated into ten languages.

He conducted the three year European Union funded creative research project Curating the Ephemeral (2014–2016) on immaterial art and museal practices. He was co-director of Performance Matters, a four-year AHRC funded research project on the cultural value of performance (2009–2013).

He co-curated the Live Culture events at Tate Modern, London (2003) and a number of other performance and durational events in European cities over the last eighteen years. He was curator of Doing Time, the Taiwan Pavilion at the 57th Venice Biennale (2017), a curatorial adviser and attaché for the 20th Biennale of Sydney (2016) and an artistic director with the collective freethought of the 2016 Bergen Assembly, Norway.

Heathfield has worked with many artists and thinkers on critical and creative collaborations including film dialogues, performance-lectures, dramaturgy, writing and workshop projects. He was President of Performance Studies international (2004–2007) and is Professor of Performance and Visual Culture at the University of Roehampton, London.

 

All images appear courtesy of their authors or copyright holders and should not be reproduced without permission.

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Liquid Knowledge

Liquid Knowledge was recorded on the eve of the opening of Marina Abramović’s European retrospective and the publication of her recent memoir. The exchange pursues questions of duration, discipline, the transformation of pain, solitude and art without the artist present.

Homepage image: Marina Abramović, The Artist is Present, 2010. Performance, 3 months, The Museum of Modern Art, New York, NY. Photo: Marco Anelli, © the artist. Courtesy of the Marina Abramović Archives.

Marina Abramović: The Cleaner, Moderna Museet and Hatje Cantz Verlag, 2017. ISBN 9783775742610.

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