Adrian Heathfield writes on, curates and creates performance. He is the author of Out of Now, a monograph on the artist Tehching Hsieh, editor of Ally and Live: Art and Performance and co-editor of Perform, Repeat, Record. His numerous essays have been translated into ten languages.

He conducted the three year European Union funded creative research project Curating the Ephemeral (2014–2016) on immaterial art and museal practices. He was co-director of Performance Matters, a four-year AHRC funded research project on the cultural value of performance (2009–2013).

He co-curated the Live Culture events at Tate Modern, London (2003) and a number of other performance and durational events in European cities over the last eighteen years. He was curator of Doing Time, the Taiwan Pavilion at the 57th Venice Biennale (2017), a curatorial adviser and attaché for the 20th Biennale of Sydney (2016) and an artistic director with the collective freethought of the 2016 Bergen Assembly, Norway.

Heathfield has worked with many artists and thinkers on critical and creative collaborations including film dialogues, performance-lectures, dramaturgy, writing and workshop projects. He was President of Performance Studies international (2004–2007) and is Professor of Performance and Visual Culture at the University of Roehampton, London.

 

All images appear courtesy of their authors or copyright holders and should not be reproduced without permission.

×

Spirit Labour

Hugo Glendinning and Adrian Heathfield

In this visual essay, Glendinning and Heathfield follow the creative practice of sculptor and performance artist Janine Antoni: her collaborations and conversations with the choreographer Anna Halprin and the writer Hélène Cixous. Spirit Labour traces the lines of connection between these artists inclined toward elemental exposure and non-human forces. The film asks: what kind of labour is it, to work communally with the bodies, movements, expressions and affects of others, to dedicate one’s lifework to the othering that issues from these relations? How might we think of these labours and affinities as forms of infrastructure?

41 minutes (linear screening or continuous loop)
Featuring: Janine Antoni, Anna Halprin, Hélène Cixous
Directed and Edited by Hugo Glendinning and Adrian Heathfield
Original Music and Violin by Aisha Orazbayeva
George Philipp Telemann, Fantasie No. 10 for Violin Solo, Largo, performed by Aisha Orazbayeva
Voice: Sophie Gueydon
Camera: Hugo Glendinning
Text: Adrian Heathfield

Spirit Labour was originally commissioned by freethought for Bergen Assembly 2016. For information on gallery screening contact emma[at]adrianheathfield.com.

Spirit Labour Anna Halprin. Photo and ©: Hugo Glendinning, 2016.